Book Review: The Subtle Knife
Sep. 5th, 2025 08:11 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
osprey_archerIn the days of my youth, when I finished The Golden Compass, I immediately snatched up its sequel the The Subtle Knife and dived in. I zoomed through, finished it up, and set it aside with an impatient yearning for the next book to come out already, as surely the third book in the series would redeem this middle book, which was ever so slightly disappointing.
Upon rereading The Subtle Knife withlittlerhymes, I still find it ever so slightly disappointing. I feel this review would have a stronger narrative arc if my opinions had changed, but actually they’re pretty much the same.
(Well, okay, there is one difference. As a child, I don’t think I noticed the creepy instrumentality of Asriel’s forces in his fight against the Authority, most prominently the two angels who let Stanislaus Grumman/John Parry get shot because “his task was over once he’d led you to us.” Just catastrophically failing at the Kantian maxim to treat people as ends not means. This may be something that Pullman will unpack in The Amber Spyglass; I genuinely don’t remember.)
First of all, I’ve just never loved Will like I love Lyra. The best parts in The Subtle Knife in my opinion are the bits where Lyra goes off on her own and does her Lyra thing, like the bit where she goes to meet Mary Malone and makes the dark matter machine talk to her like the alethiometer. (I also loved the bit where Mary Malone has a chat with the dark matter machine and follows its directions through a door to another world, and one of the reasons I MOST wanted the sequel to come out, like, yesterday, was that I really wanted to know what would happen to her next.)
The bits where Lyra and Will work together to solve problems are also fun. The bit where they confront Lord Boreal about stealing the alethiometer and his snake daemon pokes its little head out of his sleeve? Iconic. The part where they use the subtle knife to get back into his house by cutting windows back and forth between worlds, culminating in Will hiding behind Lord Boreal’s couch and Lyra crouched beside him, but in another world? Amazing job leaning into the premise.
When it’s just Will doing his Will stuff? Eh. He’s fine I guess. I don’t dislike him, but he’s just kind of there taking up time we could be devoting to Lyra.
I had also pretty much forgotten everything that focused on the adult characters, possibly because as a child I simply didn’t care about adult characters (with the exception of Mary Malone) and therefore didn’t bother to read those parts. They are not bad parts! They just weren’t what I was into at eleven. I probably appreciated them more now.
But I think the bigger problem with The Subtle Knife is that it just can’t live up to The Golden Compass. In The Golden Compass, Lyra moves through many different worlds-within-worlds in her own world, and they’re all fascinating, almost all places that the reader would love to visit. Who wouldn’t want to have a glass of Tokay in the Jordan College Retiring Room, attend one of Mrs. Coulter’s cocktail parties, ride in a gyptian boat, see the bear’s fortress at Svalbard?
At the end of The Golden Compass, Lyra walks into the sky to explore strange new worlds, seek out new life and new civilizations, etc. etc., and what does she find? The world of Ci’gazze, which starts out vaguely promising - an abandoned city, that’s cool, right? But it turns out to be completely full of Spectres that will suck out your life the second you hit puberty, and it appears to have no other characteristics, none of the richness of any of the places Lyra visited in her own world.
But the next book, my child self was sure, would get us back on track. We would visit more worlds, and these worlds would be INTERESTING worlds, and maybe Will would just kind of disappear.
Upon rereading The Subtle Knife with
littlerhymes, I still find it ever so slightly disappointing. I feel this review would have a stronger narrative arc if my opinions had changed, but actually they’re pretty much the same. (Well, okay, there is one difference. As a child, I don’t think I noticed the creepy instrumentality of Asriel’s forces in his fight against the Authority, most prominently the two angels who let Stanislaus Grumman/John Parry get shot because “his task was over once he’d led you to us.” Just catastrophically failing at the Kantian maxim to treat people as ends not means. This may be something that Pullman will unpack in The Amber Spyglass; I genuinely don’t remember.)
First of all, I’ve just never loved Will like I love Lyra. The best parts in The Subtle Knife in my opinion are the bits where Lyra goes off on her own and does her Lyra thing, like the bit where she goes to meet Mary Malone and makes the dark matter machine talk to her like the alethiometer. (I also loved the bit where Mary Malone has a chat with the dark matter machine and follows its directions through a door to another world, and one of the reasons I MOST wanted the sequel to come out, like, yesterday, was that I really wanted to know what would happen to her next.)
The bits where Lyra and Will work together to solve problems are also fun. The bit where they confront Lord Boreal about stealing the alethiometer and his snake daemon pokes its little head out of his sleeve? Iconic. The part where they use the subtle knife to get back into his house by cutting windows back and forth between worlds, culminating in Will hiding behind Lord Boreal’s couch and Lyra crouched beside him, but in another world? Amazing job leaning into the premise.
When it’s just Will doing his Will stuff? Eh. He’s fine I guess. I don’t dislike him, but he’s just kind of there taking up time we could be devoting to Lyra.
I had also pretty much forgotten everything that focused on the adult characters, possibly because as a child I simply didn’t care about adult characters (with the exception of Mary Malone) and therefore didn’t bother to read those parts. They are not bad parts! They just weren’t what I was into at eleven. I probably appreciated them more now.
But I think the bigger problem with The Subtle Knife is that it just can’t live up to The Golden Compass. In The Golden Compass, Lyra moves through many different worlds-within-worlds in her own world, and they’re all fascinating, almost all places that the reader would love to visit. Who wouldn’t want to have a glass of Tokay in the Jordan College Retiring Room, attend one of Mrs. Coulter’s cocktail parties, ride in a gyptian boat, see the bear’s fortress at Svalbard?
At the end of The Golden Compass, Lyra walks into the sky to explore strange new worlds, seek out new life and new civilizations, etc. etc., and what does she find? The world of Ci’gazze, which starts out vaguely promising - an abandoned city, that’s cool, right? But it turns out to be completely full of Spectres that will suck out your life the second you hit puberty, and it appears to have no other characteristics, none of the richness of any of the places Lyra visited in her own world.
But the next book, my child self was sure, would get us back on track. We would visit more worlds, and these worlds would be INTERESTING worlds, and maybe Will would just kind of disappear.
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png){kind=small}
![[syndicated profile]](https://www.dreamwidth.org/img/silk/identity/feed.png){kind=small}
We’re going back to August 1996 – that’s a bit of distance – to take a peek at the new releases and the book reviews in Romantic Times magazine.
We also mentioned:
