Birdfeeding

Aug. 6th, 2025 02:21 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
Today is partly cloudy and warm.

I fed the birds.  I've seen a mixed flock of sparrows and house finches, a mourning dove, and a fox squirrel.
















.
 
umadoshi: (stop destroying our planet (bisty_icons))
[personal profile] umadoshi
The entire province is in a drought now, after a generally dry season that was already extremely dry in a lot of areas, and last I heard there was no rain in the forecast. Yesterday official word came out asking people to try to conserve water and telling everyone to stay the hell out of the woods. (Apparently there's a substantial fine, although my understanding is that no such fine has ever been successfully enforced, so that's...great.) So now is the time of hoping the farmers and crops come through as well as possible, and that wildfire season passes us by.
beatrice_otter: Captain America (Captain America)
[personal profile] beatrice_otter posting in [community profile] fancake
Fandom: MCU
Pairings/Characters: Steve/Bucky, Sam/Steve
Rating: explicit
Length: 127k
Creator Links: [archiveofourown.org profile] ChibiSquirt 
Theme: marriage of convenience, pretend couple, happy endings, genderfuck

Summary: Sarah “Gwen” Rogers was nineteen when she married Bucky Barnes, and she knew at the time just how stupid it was: it wasn’t exactly a brilliant move to marry a man who could never love her, even—or especially—when she knew that she was in love with him.

Neither of them could have predicted the war that came, and if they had, then they sure as hell couldn’t have predicted what would happen when Gwen volunteered for Project: Rebirth.

Reccer's Notes: This is one of the more interesting Captain America genderswaps: what would it do to the essential closeness and devotion of Steve and Bucky's relationship if Bucky was 1000% gay, and Steve was a cis woman? But they still cared about each other as much? They decide to get married, to protect Bucky from gossip, and things go from there. This is such an interesting take on their relationship, on how being a cis woman would affect "Sarah" (especially once she wakes up in modern America after being frozen for seventy years), and her relationship with Sam. All while telling the basic events of the movie.

Fanwork Links: You Would Be In Clover

Works and Recs (Challengers again)

Aug. 6th, 2025 02:49 pm
likeadeuce: (oldfriends)
[personal profile] likeadeuce
I keep meaning to write on here more and then -- not -- I'm doing pretty well in a personal if not global/ existential sense. Job is fine, I'm reading and watching interesting things, spending time with friends, watching a lot of tennis because it turns out if you want to watch this sport it is pretty much all going on. The sounds are soothing, the people are attractive, and the social media and journalism are very good about the narratives.

Also, I'm reading and writing about fictional tennis, leading to a couple recs:

A person who might be anonymous or might be a user named 'Buries' recorded a podfic, never be lonely anymore of one of my more fun loving Challengers fics, and it's fun to hear these characters in what I think might be an Australian accent.

I participated in the Challengers summer fic exchange and received Epilogue after Epilogue, by MostReverent (who is great and also ran the exchange). This is a great, chewy Tashi POV where the three of them take a road trip together. Get three people with sexual tension in a vehicle and I am there for it. I've been craving road trip fic with these characters and the author does an amazing job of digging into their feelings after the events of the film. Also, I learned from the title that Dave Malloy wrote and recorded an epilogue to my favorite musical, "Natasha Pierre & the Great Comet of 1812." Pretty sure the author had no way to know I dig that show. Here's the the song which wasn't in the show and didn't appear on the cast album.

Finally, I wrote my own story for the exchange, which is also about the trio post movie:

the music of your broken window (4028 words) by likeadeuce
Chapters: 1/1
Fandom: Challengers (Movie 2024)
Rating: Mature
Warnings: No Archive Warnings Apply
Relationships: Art Donaldson/Tashi Donaldson/Patrick Zweig
Characters: Art Donaldson, Tashi Donaldson, Patrick Zweig
Additional Tags: Tennis, Negotiations, Art Donaldson's POV, US Open 2019, optimism (Mostly), Post-Canon, Polyamory, The negotiations are not about the polyamory
Summary:

Since the New Rochelle Challenger, Art has been enjoying a kind of summer camp/ adult slumber party with his wife and his oldest friend, but it can't last forever. Can they plan a way forward, or will they always be caught in the wreckage of their teenage relationship crash?



I'm just continuing to have a good time playing with these toys.

What I read in July, 2025

Aug. 6th, 2025 02:16 pm
amado1: (Default)
[personal profile] amado1
Total:

-- If the Stars Wish for Happiness by ... Wang Mo? I can read the name in Chinese but not Japanese, yet T__T
-- A High School Girl & a Widow: Till the Day I Kill You by irua
-- A High School Girl & a Widow: Till the Day You Kill Me by irua
-- A Chance of Yuri by irua
-- The Evil Friendship by Vin Packer
-- You're My Sunflower by Wang Mo (but not actually Wang Mo)
-- Aoi is too hot for me to handle by Yanqi Momota
-- Whisper His Sin by Vin Packer;
-- One Last Run by Bryce Oakley
-- Couple of the White Room by Ryoko Yamagishi
-- Big Name Fan by Ruthie Knox
-- Dead Funny: Humor in Hitler's Germany by Rudolph Herzog
-- My Dearest Father by Wolfgang Amadeus Mozart
-- Another by Paul Tremblay

Also started reading Beebo Brinker and Moral Panics. 

Read more... )

[syndicated profile] theatlantic_health_feed

Posted by Katherine J. Wu

Last week, the National Institutes of Health finally got some good news. A Senate subcommittee voted, with support from both parties, to increase the agency’s $48 billion budget—a direct rebuke to the Trump administration’s proposed budget, which would have slashed the agency’s funding some 40 percent. After the administration spent months battering the NIH with funding freezes, mass firings, and waves of grant terminations, that Senate vote was one of the only clear signals since January that at least some leaders in the U.S. government were committed to preserving the NIH’s status as the world’s largest public funder of biomedical research.

But inside the agency, officials could not wholeheartedly celebrate. Its political leadership has shredded the NIH playbook so thoroughly, current and former NIH officials told me, that even at current funding levels they are unable to perform their core work of vetting and powering some of the best scientific research around the world. One official told me many of their co-workers are worried that “even if we get the money, we won’t be allowed to spend it somehow.” (Several of the current and former NIH officials I spoke with for this story requested anonymity for fear of professional repercussions.)

At this point in the summer, NIH officials are always rushing to spend the agency’s remaining funds before the fiscal year ends on September 30. “More grants get processed during the fourth quarter than at any other time,” one former NIH official who oversaw grants told me. Usually, they make the deadline. This year, though, the Trump administration’s blocks to grant-making and cuts to staff have left those remaining so far behind that many of the agency’s 27 institutes and centers will fall far short of using up the money they’ve been allocated, several officials told me.

If those funds are unspent, the NIH will be forced to return a massive sum to the Treasury—which several current and former NIH officials are afraid could be used to justify future budget cuts. The administration “is setting them up to fail,” the former official told me. In the United States, government agencies need Congress to fund them, but the executive branch still runs them. The Trump administration is no longer allowing the NIH to function as an agency that can handle a $47 billion budget.

When reached for comment, an NIH spokesperson wrote in an email that the agency is “committed to restoring academic freedom, cutting red tape, and accelerating the delivery of grants to support rigorous, truth-based science,” and that it is “focused on empowering our workforce, removing bureaucratic obstacles, and fostering a culture of transparency and collaboration.” The officials operating under these principles see it differently: “It is an ongoing siege,” one of them told me. “We’re losing all capacity to act,” another said. “And we are losing hope.” For decades, the NIH’s primary function has been distributing billions of dollars—the bulk of its budget—to the American biomedical-research community. This year, though, the agency’s ability to get its funds out the door has faltered in ways it never has before: A STAT analysis found that, as of mid-June, the agency has awarded 12,000 fewer grants and about 30 percent less in funding—at least $4.7 billion—than it typically would have by that point in the year.

To mete out those funds, the agency pores over at least tens of thousands of grant applications every year, subjecting them to reviews from multiple panels of experts; only about 20 percent are funded, or sometimes far less. The agency then monitors researchers’ progress, disbursing funds incrementally over the course of several years. But since January, political appointees “have been successfully clogging up the system in every place it could be clogged,” Sarah Kobrin, a branch chief at the National Cancer Institute, told me. The administration has blocked the agency from notifying researchers of new funding opportunities; it has held up the meetings required for reviewing applications. It has instructed officials to scour grant applications for references to diversity, gender, climate change, and other concepts that the current political leaders want to erase from scientific inquiry, then to sideline those proposals. It has frozen payments meant to go out to researchers, essentially cutting them and their staff off from their salaries. And it has, over months, pushed the NIH to cancel grants that the agency had already awarded, at a scale NIH officials told me they’ve never experienced—thousands of grants canceled not, as in the past, for ethical violations or because logistical hurdles made the research impossible to advance, but because they conflicted with the administration’s political goals.

Many of these disruptions have been reversed, in some cases, within days or even hours. But at an agency where policy changes have typically been painstaking, heavily deliberated affairs, the onslaught of sudden shifts has left officials feeling exhausted, afraid, and hamstrung—unable to fund science at the rate they once could. “No one can function under this kind of whiplash,” Kobrin told me. “People are joking about getting neck braces.”

Last Tuesday, officials endured yet another jarring U-turn. First, news broke that the Office of Management and Budget had barred the NIH from spending its funds on anything but staff salaries and expenses—yet another blow to grant-making that effectively guaranteed that the agency’s already sluggish spending would completely stagnate. Then, hours later, senior White House officials intervened to reverse the decision. The second round of information arrived so late at night, Kobrin told me, that the next morning, several of her colleagues hadn’t yet gotten the message and were scrambling to rejigger their spending plans.

The back-and-forth over grant cancellations has been especially demoralizing. When the grant terminations began, two grants-management officials told me, officials were forbidden from communicating with researchers, even as their voicemails and inboxes flooded with panicked questions. “It was like dumping someone over text, and then blocking their number and ghosting them,” one of them said. That policy is no longer in place, but this means officials instead must tell researchers their funding has been paused or permanently severed, and struggle to explain why. After spending months cutting funds to researchers, many grants-management specialists then had to undo that work in a matter of days, after a federal judge ordered the agency to immediately reinstate hundreds of grants. And should the Supreme Court rule in the administration’s favor, “many of us figure we’re going to have to re-terminate all these grants anyway,” one grants-management official told me. That official has now helped award, terminate, then reinstate multiple grants—and may need to help terminate them again soon. In the meantime, officials are operating on two distinct sets of guidance: rules that apply to grants awarded to scientists in states subject to the recent court order, and Trump administration guidance that still holds everywhere else.

The job of “NIH official” has simply gotten much harder. New guidance arrives at odd hours, with impractical deadlines. Several upheavals have rippled through the agency via closed-door meetings and hallway rumors, instead of with clear paper trails. The guidance issued, multiple officials told me, has also felt absolutist—do this, or you’re fired—while often coming off as so vague that, at times, different institutes have diverged in their interpretation, leaving funding policies inconsistent and officials unsure if they have made career-ending mistakes. “The environment is clearly, they’re going to fire whoever they want for whatever reason they want,” one grants-management specialist told me. And looming over each new change is the possibility that officials are, once again, being asked to do something of sufficiently questionable legality that a court will quickly block it.

Many officials have quit or been fired, and every month, more are choosing to leave. One official told me that they have attended as many “un-happy” hours in recent months to say good-bye to co-workers as they had been to over the past five years. “And those are just the ones I managed to go to—I was invited to more,” the official said. “People just don’t leave that much. Or they didn’t.”

Officials still at the agency told me that the pileup of new policies, combined with staff departures, has saddled them with heavier workloads. “We have more work to do with fewer people,” one official told me. And what work remains, that official said, feels as though it’s being done in molasses. “I cannot fulfill all the duties responsibly in the time required,” Theresa Kim, a program officer at the National Institute of Aging, told me. Twenty of the grants in her portfolio were supposed to start paying out to researchers on June 1, she told me. But staffing cuts—especially losses from the grants-management team, which handles the budgetary aspect of grants—and endless back-and-forths over whether certain grants comported with new political priorities—meant that a funding process that should have taken just a couple of weeks had instead dragged on for months. As of this week, Kim said, 14 of those research teams had yet to receive their federal funds.

When I asked officials what it would take for the NIH to feel normal again, most of them didn’t bring up the agency’s budget at all. They instead described more philosophical changes. They wanted to do their work under clear guidance and a supportive director, without political interference or fear that their employment is constantly on the line. “Leave us alone,” one official told me. “Let us do our jobs.” Financially, the NIH—for now—remains intact. The Senate has also pushed back on the Trump administration’s proposal to restructure the agency entirely. But the NIH is fast losing what turns out to be its most important resource: people.

Good News

Aug. 6th, 2025 01:44 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
Good news includes all the things which make us happy or otherwise feel good. It can be personal or public. We never know when something wonderful will happen, and when it does, most people want to share it with someone. It's disappointing when nobody is there to appreciate it. Happily, blogging allows us to share our joys and pat each other on the back.

What good news have you had recently? Are you anticipating any more? Have you found a cute picture or a video that makes you smile? Is there anything your online friends could do to make your life a little happier?

Check-In Post - Aug 6th 2025

Aug. 6th, 2025 07:44 pm
badly_knitted: (Get Knitted)
[personal profile] badly_knitted posting in [community profile] get_knitted

Hello to all members, passers-by, curious onlookers, and shy lurkers, and welcome to our regular daily check-in post. Just leave a comment below to let us know how your current projects are progressing, or even if they're not.

Checking in is NOT compulsory, check in as often or as seldom as you want, this community isn't about pressure it's about encouragement, motivation, and support. Crafting is meant to be fun, and what's more fun than sharing achievements and seeing the wonderful things everyone else is creating?

There may also occasionally be questions, but again you don't have to answer them, they're just a way of getting to know each other a bit better.


This Week's Question: Share your favourite crafting tip, if you have one.


If anyone has any questions of their own about the community, or suggestions for tags, questions to be asked on the check-in posts, or if anyone is interested in playing check-in host for a week here on the community, which would entail putting up the daily check-in posts and responding to comments, go to the Questions & Suggestions post and leave a comment.

I now declare this Check-In OPEN!



wychwood: Carter looking dubious (SG-1 - Sam dubious)
[personal profile] wychwood
It's weird being away from home without being on holiday. My computer set-up here is working pretty well, although I haven't been exactly my most inspired work self; it's been a quiet week so far anyway, very few meetings or anything. But I'm very much missing my accustomed evening entertainments, or at least the ones I don't have with me (...I can read the internet as readily as ever), and cooking two sets of dinner takes up a surprising amount of the evening, even with a dishwasher (somehow full every day! for two people!) instead of having to do the washing up myself.

But Dad's back in the morning, so I get to go home at lunchtime! Very much looking forward to that. Although I will have to go straight into laundry and unpacking and then repacking for the office on Friday as usual, and I have a video call in the evening, so it'll be a busy day.

Still, it's been OK. I've been able to do my work and also supply such support as Mum actually needs (mostly it's just assembling straightforward meals and looking after the dishwasher, with an occasional small chore thrown in). I managed my M*A*S*H watching with Miss H (Radar just left! Am finding it hard to handle the concept of M*A*S*H without Radar) and have eaten most of the food I brought with me (and also the big bag of pistachios left over from Easter that my mother thought perhaps I could eat although probably not as fast as I did...). And tonight and tomorrow morning I need to pack my things back up into hopefully fewer than the "large rucksack, three big shopping bags, big monitor" that I arrived with, ready to escape.

BtVS Double Drabble: First Class

Aug. 6th, 2025 06:56 pm
badly_knitted: (Rose)
[personal profile] badly_knitted
 


Title: First Class
Fandom: BtVS
Author: 
[personal profile] badly_knitted
Characters: Willow.
Rating: PG
Written For: Challenge 461: Shuffle at 
[community profile] drabble_zone.
Spoilers/Setting: After Passion.
Summary: Taking over from Ms Calendar is a big responsibility.
Disclaimer: I don’t own BtVS, or the characters.
A/N: Double drabble.
 


 

Hum 110: The Oresteia

Aug. 6th, 2025 10:52 am
sanguinity: woodcut by M.C. Escher, "Snakes" (Default)
[personal profile] sanguinity
Aeschylus (trans. Robert Fagles, 1966), The Oresteia

(content warning for murder and cannibalism)

Three-play cycle covering Agamemnon's not-so-happy homecoming from Troy and the cycle of murder and revenge that descends from it.

btw, this is something I quibble about while I'm reading/watching: the cycle of violence began long before the murder of Agamemnon. The first play does get into that, briefly -- Agamemnon's murder/sacrifice of his daughter, obviously, which led Clytemnestra to murder Agamemnon. A generation farther back, there's Agamemnon's father's murder of his nephew (Agamemnon's cousin), and then the father's subsequent feeding of said murdered nephew to the nephew's father (the murderer's brother) -- the brother of the murdered nephew is now teaming up with Clytemnestra. Plus also some more familial murders farther back, in which a son was sacrificed and fed to the gods... Look, the family history is a mess. The point I'm trying to make here, though, is that Clytemnestra had a reason for what she did -- avenging her daughter! -- and the second and third parts of the Oresteia forget that, just treating her act as free-floating evil to be avenged. Is it worse to murder your mother or leave your father unavenged, with no mention whatsoever that Clytemnestra had some very good reasons.

Which is to say: the going gets rough in this trilogy if you're a Clytemnestra fangirl.

(Also: I will never understand Electra. In a family where one parent is murdering daughters and the other parent is trying to protect or at least avenge them, I, as a daughter in the family, might side with the parent who was protecting daughters, not the one murdering them. But hey, maybe that's just me. "Oedipal complex" is badly named, but I see what Jung was getting at with "Electra complex".)

Anywho.

In Classical Athens, tragedies were composed and performed in trilogies, and this is the only complete trilogy still extant. Which is absolutely fascinating, because Part III is very different from Parts I and II! Parts I and II each center themselves on a murder of vengeance: Clytemnestra murdering Agamemnon (in retribution for his murdering their daughter), and Orestes (their son) murdering his mother, Clytemnestra, in vengeance for his father's murder. Very tragical, very shock-and-horror, very bloody, very parallel.

And then Part III...! Part III is a completely different thing! Part III is the question "How will this cycle of violence ever end?" and the answer is "With Athenian democracy!" And to give you a sense of how weird that is, it's as if we were watching a set of very intense plays about King Arthur and his knights, and then in act three suddenly John Philip Sousa starts playing, stars-and-stripes bunting falls from the proscenium, and we use the Power of the Ballot Box to solve Lancelot's problems. It's weird, man! We just jumped several centuries and to another polity! Lancelot is suddenly having a conversation with Uncle Sam about the virtue of democracy!

Anyway, a bunch of Athenian citizens have a vote on whether to acquit Orestes or not (they decide yes, because Dads Rule and Moms Drool), and then Athena does some pretty intense diplomacy with the Furies to talk them down into accepting a bribe instead of chasing Orestes forever.

Whew.

I will re-iterate something that I learned long ago with Shakespeare, and which holds here: I never get as much from reading a play as I do from seeing a staging. Here, I recommend the 1983 Peter Hall performances, which tried to stage the Oresteia as it would have been staged in Classical Athens: masks, entirely male cast, music and chanting, etc. The Peter Hall recordings really emphasized how parallel Parts I and II are (the reveal of the bloody tableau in both plays are exactly parallel), and there's some beautiful stuff with the net that Clytemnestra used to snare Agamemnon, coming back in part II to snare Orestes.

I will also point out something that's not obvious on the page: when the chorus is pearl-clutching about how unnaturally masculine Clytemnestra is... well. That's a man there. Wearing a dress. I can see him. It feels a bit like all the gender play in Shakespearean comedies, with a man playing a woman disguised as a man, and the text winking about it.

I will leave you with the 1983 Peter Hall stagings:
Part I: Agamemnon
Part II: Libation Bearers
Part III: Furies

FAKE Triple Drabble: Plan B

Aug. 6th, 2025 06:47 pm
badly_knitted: (Dee & Ryo black & white)
[personal profile] badly_knitted
 


Title: Plan B
Fandom: FAKE
Author: 
[personal profile] badly_knitted
Characters: Dee, Ryo.
Rating: PG
Setting: After the manga.
Summary: Waiting to move on an armed gang, Dee and Ryo find out their backup has been delayed.
Written Using: The dw100 prompt ‘Delay’.
Disclaimer: I don’t own FAKE, or the characters. They belong to the wonderful Sanami Matoh.
A/N: Triple drabble.
 


 
Plan B... )

The Bog Wife, by Kay Chronister

Aug. 6th, 2025 10:42 am
rachelmanija: (Books: old)
[personal profile] rachelmanija


The Haddesley family has an ancient tradition: when the patriarch dies, the oldest son summons a wife from the bog. Now living in Appalachia, the current patriarch is dying and a new bog wife must be summoned soon, but their covenant with the bog may be going wrong: one daughter fled years ago to live in the modern world, the last bog wife vanished under mysterious circumstances, the bog is drying up, and something very bad has happened to the oldest son...

Isn't that an amazing premise? The actual book absolutely lives up to it, but not in the way that I expected.

It was marketed as horror, and was the inaugural book of the Paper & Clay horror book club. But my very first question to the club was "Do you think this book is horror?"

The club's consensus was no, or not exactly; it definitely has strong folk horror elements, but overall we found it hard to categorize by genre. I am currently cross-shelving it in literary fiction. We all loved it though, and it was a great book to discuss in a book club; very thought-provoking.

One of the aspects I enjoyed was how unpredictable it was. The plot both did and didn't go in directions I expected, partly because the pacing was also unpredictable: events didn't happen at the pace or in the order I expected from the premise. If the book sounds interesting to you, I recommend not spoiling yourself.

The family is a basically a small family cult, living in depressing squalor under the rule of the patriarch. It's basically anti-cottagecore, where being close to nature in modern America may mean deluding yourself that you're living an ancient tradition of natural life where you're not even close to being self-sustaining, but also missing all the advantages of modern life like medical treatment and hot water. I found all this incredibly relatable and validating, as I grew up in similar circumstances though with the reason of religion rather than an ancient covenant with the bog.

The family has been psychologically twisted by their circumstances, so they're all pretty weird and also don't get along. I didn't like them for large stretches, but I did care a lot about them all by the end, and was very invested in their fates. (Except the patriarch. He can go fuck himself.)

It's beautifully written, incredibly atmospheric, and very well-characterized. The atmosphere is very oppressive and claustrophobic, but if you're up for the journey, it will take you somewhere very worthwhile. The book club discussion of the ending was completely split on its emotional implications (not on the actual events, those are clear): we were equally divided between thinking it was mostly hopeful/uplifing with bittersweet elements, mostly sad with some hopeful elements, and perfectly bittersweet.

SPOILERS!

Read more... )

Double Drabble: Rattled

Aug. 6th, 2025 06:38 pm
badly_knitted: (Broken)
[personal profile] badly_knitted
 


Title: Rattled
Author: 
[personal profile] badly_knitted
Characters: Ianto.
Rating: PG
Written For: Challenge 877: Rattle at 
[community profile] torchwood100.
Spoilers: Countrycide.
Summary: The eerily silent village had been bad enough, but this was worse.
Disclaimer: I don’t own Torchwood, or the characters.
A/N: Double drabble.
 


 

Fandom 5K

Aug. 6th, 2025 06:29 pm
daegaer: (OTP by slightlights)
[personal profile] daegaer
I got a really wonderful gift in Fandom 5K!

swallowed by the moon's embrace (10146 words) by Anonymous
Chapters: 1/1
Fandom: Original Work
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Original Female Character(s)/Original Female Character(s), Priestess of the Moon/ Young Woman Brought for Sacrifice, Original Female Character(s) & Original Female Character(s)
Characters: Original Female Character(s)
Additional Tags: Fantasy, Religion, Worldbuilding, Character Development, Human Sacrifice
Summary:

Every eight years, a human sacrifice comes to Nerrayo.



(Archive locked).

I love this so much! It's so detailed and wonderful.
hermionesviolin: (hard at work)
[personal profile] hermionesviolin posting in [community profile] thisfinecrew
For anyone registered to vote in Massachusetts -- you can sign up to get reminded when it's time to officially sign papers to put on the Massachusetts ballot a measure to repeal the Massachusetts constitutional amendment that took the right to vote away from people serving felony sentences.

From an email from Progressive Mass:
Unlock Democracy in Massachusetts

In 2000, Massachusetts passed a constitutional amendment that took away voting rights from people incarcerated for a felony conviction. This stripping of rights was in response to political organizing happening in prison. The Empowering Descendant Communities to Unlock Democracy project and allies aim to get voting rights restoration on the statewide ballot. If you are a registered voter in Massachusetts, please take a minute to fill out our pledge form now: https://tinyurl.com/uvrpledge. Once the Attorney General approves the language, organizers will reach out to those who filled out the pledge with dates/locations for nearby signature collection efforts.

The EDC to Unlock Democracy is is committed to ensuring that democracy does not stop at prisons and jails in Massachusetts. It is a collaborative project between the Democracy Behind Bars Coalition, the African American Coalition Committee at MCI-Norfolk, Healing our Land, Inc., and more. To get in touch email EDCtoUnlockDemocracyMA@gmail.com.
[syndicated profile] ao3_theowlhouse_rss_feed

Posted by Rose_colored_dawn

by

You know the brothers Wittebane. Philip, who went looking for his brother Caleb in a dofferent world only to end his life upon seeing him in love with a witch. But why? What happened? What the hell were the events thst led up to this? Was it in his nature? Or was he nurtured as so, by the hostile environment thectwo brothers grew up with? Well why not join me and dive down into this rabbit hole with me?

And grab your tissues. You'll need them.

Words: 1401, Chapters: 1/1, Language: English

Late Night Movies

Aug. 6th, 2025 01:24 pm
[syndicated profile] ao3_theowlhouse_rss_feed

Posted by mushmello

by

Gus and Matt binge as many movies together as they can, even if they're both struggling just to keep their eyes open.

Words: 1030, Chapters: 1/1, Language: English

Iddy Talk Time #3

Aug. 6th, 2025 12:53 pm
iddybangmod: (Default)
[personal profile] iddybangmod posting in [community profile] iddyiddybangbang
How doth thy iddy garden grow? \o/

This week, tell us: ☆ Would a detachable sex tentacle fit anywhere in your story?
Which character hates you the most right now?

Join us over at the chat post!

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delphi: An illustrated crow kicks a little ball of snow with a contemplative expression. (Default)Delphi (they/them)

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