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Admin: Patreon: What fresh hell #728, #729 [Patreon]
Last thing first. Investigating the other thing, I discovered this. I'll just cut and paste what I submitted as a ticket to Patreon:
I took a break of a few months, and when I came back my fees spiked. What gives?I have received no response.
I just did a month (July 2025) that extremely similar to last January (2025): similar revenues (466.19 vs 458.50), similar patrons (160 vs 162). According to my "Insights > Earnings" page, my total fees went up from 11.4% to the astounding 14.6%. Drilling down, most of that is an eye-watering 3% increase of the payment fees (5.8% to 8.8%). There was also a minor increase of Patreon's platform fee from 5.6% to 5.8%.
That represents a FIFTY-TWO PERCENT INCREASE in processing fees, and a 28% increase in fees over all.
Care to explain? Was there some announced change in payment structure or payment processor fees I missed?
But the other thing is this: Patreon has dropped my business model.
Apparently by accident.
When I went to Patreon to create the Patreon post for my latest Siderea Post at the end of July, I was confronted with a recent UI update. In and of itself it wouldn't have been a problem, but, as usual, they screwed something up.
They removed the affordance for a post to Patreon to both be public and paid. The new UI conflated access and payment, such that it was no longer possible to post something world-accessible and still charge patrons for it.
I found a kludge to get around it so I could get paid at all, and I fired off a support ticket asking if it was possible but unobvious, or just not possible, and if it was not possible, whether that was a policy or a mistake. I have received very apologetic reply back from Patreon support which seemed to suggest (but not actually affirm) it was an unintentional:
From what we've seen so far, the option to make a post publicly accessible while still charging members for it isn't possible in the new editor. Content within a paid post will only be available to those with paid access, and it won't show up for the public.So it's not like the reply was, "Oh, yes, it was announced that we wouldn't be supporting that feature any more," suggesting, contrarily, they didn't realize they were removing a feature at all.
Other creators have reported this same issue, and I want to reassure you that I've already shared this feedback with our team. If anything changes or if this feature is brought back, I'll be sure to keep you in mind and let you know right away.
The support person I was corresponding with encouraged me to write back with any further questions or issues, so I did:
Hi, [REDACTED], thanks for getting back to me. I have both some more questions and feedback.I got this response:
1) Question: Am I understanding correctly, that the new UI's failure to support having publicly accessible paid posts was an oversight, and not a policy decision to no longer support that business model? Like, there's not an announcement this was going away that I missed? As a blogger who often writes about Patreon itself, I'd like to be able to clarify the situation for my readers.
2) Question: Do you have any news to share whether Patreon intends to restore this functionality? Is fixing this being put on a development roadmap, or should those of us who relied on this functionality just start making other plans? Again: my readers want to know, too.
3) Suggestion: If Patreon intends to restore this functionality, given the way the new UI is organized, the way to add the functionality back in is under "Free Access > More options" there should also be a "charge for this post" button, which then ungrays more options for charging a subset of patrons, defaulting to "charge all patrons".
4) Feedback: The affordance that was removed, of being able to charge patrons for world-accessible content, was my whole business model. I'm not the only one, as I gather you already have discovered. In case Patreon were corporately unaware, this is the business model of creators using Patreon to fund public goods, such as journalism, activism, and open source software. My patrons aren't paying me to give them something; my patrons are paying me to give something to the world. Please pass this along to whomever it's news.
5) Feedback: This is the sort of gaffe which suggests to creators that Patreon is out of touch with its users and doesn't appreciate the full breadth of how creators use Patreon. It is the latest in a long line of incidents that suggests to creators that Patreon is not a platform for creators, Patreon is a platform for music video creators, and everybody else is a red-headed stepchild whom Patreon corporately feels should be grateful they are allowed to use the platform at all. It makes those of us who are not music video creators feel unwelcome on Patreon.
6) Feedback: Being able to charge patrons for world-accessible content is one of a small and dwindling list of features that differentiated Patreon from cheaper competitors. Just sayin'.
7) Feedback: I thought you should know: my user experience has become that when I open Patreon to make a post, I have no idea whether I will be able to. I have to schedule an hour to engage with the Patreon new post workflow because I won't know what will be changed, what will be broken, etc. It would be nice if Patreon worked reliably. My experience as a creator-user of your site is NOT, "Oh, I don't like the choices available to me", it's that the site is unstable, flaky, unpredictable, unreliable.
Hi Siderea,Several observations:
Thank you so much for your thoughtful follow-up and for sharing your questions and feedback in such detail.
To address your first question, I can’t speak to whether this change was an oversight or a deliberate policy decision, but I can confirm there hasn’t been any official announcement about removing the ability to charge members for world-accessible posts. If anything changes or if we receive more clarity from our product team, I’ll be sure to keep you updated.
At this time, I also don’t have any news to share about whether this functionality will be restored or if it’s on the development roadmap.
I know that’s not the most satisfying answer, but I want to reassure you that your feedback and suggestions are being shared directly with the relevant teams. The more we can highlight how important this feature is for creators like you, the better.
Thank you as well for your suggestion about how this could be reintroduced in the UI—I’ll make sure to pass that along, along with your broader feedback about the impact on creators who fund public goods. Your perspective is incredibly valuable, and I just want to truly thank you for taking the time to lay it all out so clearly.
If you have any more thoughts, questions, or ideas, please let me know, and I’ll be happy to take a further look. I appreciate your patience and your willingness to advocate for the creator community.
All the best,
[REDACTED]
0) Whoa.
1) That is the best customer service response letter I've ever gotten, for reasons I will perhaps break down at some other junction. But it both does and does not read like it was written by an AI. I didn't quite know what to make of it, until someone mentioned to me the phenomenon of customer service agents at another org using AI to generate letters, and then I was like, oooooooh, maybe that's what this is. Or maybe not. Hard to say.
2) Though [REDACTED] could not confirm or deny, it sure sounds like an accident, but one that impacts such an uninteresting-to-Patreon set of creators that they can't be arsed to fix it, either in a timely way or at all.
3) "The more we can highlight how important this feature is for creators like you, the better." is a hell of a sentence. Especially in conjunction with "...along with your broader feedback about the impact on creators who fund public goods.". Reading between the lines, it sure sounds like the support people have been inundated by a little wave of outraged/anguished public-good posters, and the support people, or at least this support person, is entirely on the creators' side against higher ups brushing them off. Could be a pose, of course, but, dayum.
So that's what I know from Patreon's side.
The kludge I came up with for the post I made at the end of July is that I used another new feature – the ability to drop a cut line across a Patreon post where above it is world readable and below it is paid access only – to make a paid-access only post where 100% of the post contents are above the cut line.
Please let me know if it's not working as intended. This unfortunately has the gross effect of putting a button on my new post saying "Join to unlock".
So.
In any event, I strongly encourage those of you following me as unpaid subscribers over on Patreon to make sure you're following me, instead, here on Dreamwidth, because Patreon is flaky.
I will make a separate post with instructions as to all the ways to do that. You can get email notifications of my posts (either all or just the Siderea Posts), follow RSS and Atom feeds, get DM inbox notifications, and, of course, just follow me on your DW reading page, all on/through Dreamwidth, anonymously and completely free.
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History Never Dies by autiacorart (SFW)
Characters/Pairing/Other Subject: Alex/Henry
Content Notes/Warnings: none
Medium: digital art
Artist on DW/LJ: n/a
Artist Website/Gallery: autiacorart on tumblr
Why this piece is awesome: A bit of fun - a James Bond AU, which they fit remarkably well. Seems like Alex is the "Bond girl" in this one, or possibly the sexy villain, and the king looks to be "M"!
Link: History Never Dies
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(no subject)
Famed Australian film critic David Stratton died last week, so I decided to watch more movies in his honour. Unfortunately um I watched Rashomon and was underwhelmed. I guess every serious film fan will disown me now. It really does feel like a short story unnecessarily dragged out to movie length. Longest 88 minutes of my life. The best part is the fourth memory, which isn't even from Akutagawa's stories, but has better acting from everyone. There are good bits, but also... it's too long. I mostly feel it's too long.
OTOH, I watched When Harry Met Sally for the first time, and you know what? It's good. It's really good and really funny, and captures an emotional truth. The joke about Ethiopian film has not aged well, but everything else is delightful. That romantic ending speech really brought a tear to my eye. And remember when people were allowed to look like that on screen? No one in this movie is bad looking but everyone looks so normal.
SGA/SG1: So Good to You by busaikko
Characters/Pairings: John Sheppard/Vala Mal Doran, Cam Mitchell, Rodney McKay, Ronon Dex, Teyla Emmagan
Rating: Teen
Length: 6000
Content Notes: no AO3 warnings apply
Creator Links: busaikko on AO3
Themes: Marriage of Convenience, Teams, Ambiguous relationship, Humor, Friendship
Summary: Rodney had extorted a promise from John to not get recruited into SG-1 while he was on temporary re-assignment to the SGC. As John finished reciting his marriage vows from the crib-sheet Mitchell had handed him, he suspected Rodney would never let him live this down.
Reccer's Notes: With Atlantis stuck in San Francisco, John goes out with SG1 on a mission that needs his gene, but the local Ori-worshipers require those entering the sanctum (where there may be ZPMs) to be married. So John and Vala get hitched, and are able to trade for not one but three ZPMs, which is just as well as later in the story John desperately needs both Vala and the ZPM-power. The story focuses on John and Vala's friendship which develops after their marriage and despite John returning to Pegasus, then later deepens into something more. Cam is initially a dick due to jealousy as he and John had a past fling, but he gets his head out of his ass. The John/Vala relationship is wonderfully written and we're left in the end with it still being an little ambiguous (this is Vala, after all), but definitely hopeful. A lovely read.
Fanwork Links: So Good to You
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hitting the wall
I need some time not spending up to four days a week writing two columns for no money, columns that are at best depressing.
If I were still at a newspaper doing this, I'd have people who were in the business to bounce ideas off, and some support for the research needed. I am not Robert Reich, who has paid staff. I have me and a computer and occasionally a bookshelf.
And I want to do some lifegiving things for myself, like making more music and creating art and (as long as ICE is not present anywhere near me) going out into the park and breathing the green air of trees. I want to not have the heaviness of the column hanging over my head. I would rather play my flutes, and guitar, and maybe try harp. We have one that belongs to my husband, but he doesn't play often.
And I want to write things like poetry and fiction that don't require me to wear my reductive Inverted-Pyramid-style brain.
So I will notify people, later this week, that it will be more occasional and probably less political.
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certain types of neurodivergence, such as the need for speed
( Wind Breaker, Chi's Sweet Home, Witch Hat Atelier, and A Sign of Affection )
Now it is time...to rank which series I will be continuing.
( Drumroll Please )
In conclusion, the best surprises here were Twilight Out Of Focus and Wind Breaker.
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(no subject)
thank you for saying that thing about the pendulum... i've been feeling so hopeless about the state of everything, and i still don't know if i can believe it will get better, especially in places other than the us of a, but 'try and outlive the bastards' is a good enough goal to stick around for just in case it does swing back haha. sorry if this is too depressing of an ask. thank you for making and sharing honest genuine sexy art despite everything
<3
you know, i've been thinking about the Tom of Finland biopic every day for the last few weeks.
For the unfamiliar, it's a film about one of the world's most well known kink/Leather/gay artists and his journey from a youth in Finland, surviving through WWII, struggling with the sheer amount of homophobia in Europe during and after it, finding refuge in his art and Muse especially when he came over here to the States that had somewhat more artistic freedom for the time, struggling through AIDS as it decimated his loved ones and equally struggling with the artistic censorship in the 80's against something he held so dearly.
There's a scene where East Germany border police detain and interrogate him over his kink pictures, if it wasn't clear about how deadly serious it was. and the thing is - drawing gay kink wasn't just.... lewd pictures to him.
it was his Muse.
he lived for it, breathed it with his sexuality. he faced very real repeated physical, social and existential threats for protecting that right to sit down and privately come alive for his Muse through paper and pen.
It's this last part that frames the context for (personally), one of the most powerful scenes I've seen in film.
in this scene, he and his fellow Leather creatives have gone through every last printer's shop in their state, from A-Z, searching for any printer that'll keep Tom's art circulating, given his work was the heartbeat of gay/Leather circles. They're desperate. (Sound familiar?)
Desperate enough to cold-call and step in Mr. Zagat's's printer shop, despite being quite transparently who they are:
Here --
you have a veteran, an elder Leatherdaddy, and somebody who's already been through hell for his art and Muse, quite literally bled and broken over it --
-- still say that it's worth it all.
We can and must do the same.
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several books and a coupla films (seen on a tiny screen embedded in the seat back)
Wet Grave by Barbara Hambly is the sixth novel in the Benjamin January series. The story had a good balance of personal story with murder mystery plot.
Lois McMaster Bujold’s new Penric & Desdemona novella, The Adventure of the Demonic Ox, proves that well-established authors are not opposed to whump. Hee.
Kaliane Bradley has a first novel, The Ministry of Time. Time travel shenanigans! Weirdly compelling doomed romance! Interesting characterization! Questions about identity! The most charming 19th century Arctic explorer you can meet on a page! I actually shrieked out loud during some parts of this. I’m not sure I can answer the question, “Is it quality?”, but it is fun in a strangely morbid way.
Pomona Afton Can So Solve a Murder, by Bellamy Rose, reveals a lot in its title. Quirky murder mystery, with bonus romance. Pomona Afton is a spoiled rich girl at risk of losing all her money if she doesn’t solve the murder, so she’s motivated. And overdue for a growth arc. Silly and fun distraction read.
Rebecca Ross has a duology, Divine Rivals and Ruthless Vows. Very “new adult”, I guess I’d say. The story has an innocent feel to it, even though the leading characters are reporting from a war zone during most of the story. The stakes are more personal than geopolitical as well. The world-building was probably my favorite element: Gods are real, and they’re a pain. Time to kill some of ‘em!
Stone and Sky is Ben Aaronovitch’s tenth novel in the Rivers of London series. And I read it at the beginning of July when I was also busy keeping (or failing to keep) a bunch of high schoolers out of trouble in Europe, so it didn’t stick in my memory as well as it might have otherwise. But it was a good distraction, and I appreciate the ongoing character growth. Oh, and Peter and Abigail take turns as story narrators, which is a fun addition.
And continuing with novel series, Sherry Thomas’s Miss Moriarty, I presume is another entry in her Lady Sherlock books. I tend to buy these when they eventually go on sale; they’re not “must read INSTANTLY” books for me. But Thomas is a writer whose stories work for me. They’re solidly formed with a variety of well-defined characters. If you enjoy variations on Sherlock, you'll probably like this.
Plane ride movies! Agnes Varda and an artist who goes simply by JR made a movie together in 2017, two years before Varda’s death at age 90. JR puts large-scale photo prints on mostly-flat surfaces of various kinds (buildings, cliffs, and more). Varda was a long-time filmmaker whose films had tremendous influence on other movie creators. The resulting collaboration between these two artists is called Faces, Places in English; Visages, Villages in French. It was a moving travelogue with some real moments of emotional catharsis.
A Bicyclette, called Ride Away in English, is another French documentary/follow-our-real-life-adventure movie, from 2024. Mathieu Mekluz is in his fifties; his adult son Youri died in his mid-twenties and Mekluz decided to pay tribute to / sort out his grief for his son by doing the same epic bike ride across Europe that his son had once made. This film blurs the lines between documentary and fiction; both Mekluz and his film buddy Philippe Rebbot are actors. They left on this trip with no script, but it’s not necessarily a true documentary. But did I enjoy it? Was it an interesting narrative? Yes and yes.
Edited to add: I have not kept up with Dreamwidth this summer. At all. And I make no guarantees for the future, given that I'm teaching a new subject in a new school district. But hey, feel free to link me to anything I simply MUST read or know. Hopefully I'll log in here at least once a week.
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various characters ( 146 ╳ world of warcraft )
CHARACTERS: Alleria Windrunner, Anduin Wrynn, Xal'atath, Faerin Lothar, Orweyna + more
ADDITIONAL INFO: Taken from the The War Within trailers and ingame cutscenes
CREDIT TO:
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here @
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Robotics
Robots race, play football, crash and collapse at China's 'robot Olympics'
BEIJING, Aug 15 (Reuters) - China kicked off the three-day long World Humanoid Robot Games on Friday, looking to showcase its advances in artificial intelligence and robotics with 280 teams from 16 countries.
Robots competed in sports such as track and field, and table tennis, as well as tackled robot-specific challenges from sorting medicines and handling materials to cleaning services
Watching the evolution of robotics on a primitive planet is hilarious.
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Dear Rarepair creator
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thank you so much for writing a story or creating art for me! I'll be absolutely thrilled about anything you can create about the relationships I requested, and everything important is in the requests themselves, but if you'd like even more info, general likes etc., here you go,
My AO3 account is
General Preferences
( Likes & Dislikes/DNWs )
Fandoms and relationships
In somewhat alphabetical order - note that some sections are expanded compared to the sign-up form:
Jump directly to:
- 绅探 | Detective L: Huo Wensi/Luo Fei
- Grimm: Nick/Renard/Juliette
- 镇魂 | Guardian (TV): Ya Qing/Zhu Hong
- Grimm/镇魂 | Guardian (TV) crossover: Renard/Ya Qing
- Legend of the Seeker: Cara/Darken Rahl
- Once Upon a Time in Wonderland: Anastasia/Jabberwocky
- Time Engraver crossovers: Time Engraver/Zhao Yunlan, Time Engraver/Jiang Yang
- 长公主在上 | Eldest Princess On Top: Li Yunzhen/Gu Xuanqing
( 绅探 | Detective L: Huo Wensi/Luo Fei )
( Grimm: Nick Burkhardt/Sean Renard/Juliette Silverton )
( 镇魂 | Guardian (TV): Ya Qing/Zhu Hong )
( Grimm/Guardian crossover: Renard/Ya Qing )
( Legend of the Seeker: Cara/Darken Rahl )
( Once Upon a Time in Wonderland: Anastasia/Jabberwocky )
( Time Engraver Crossovers: Time Engraver/Zhao Yunlan, Time Engraver/Jiang Yang )
( 长公主在上 | Eldest Princess On Top: Li Yunzhen/Gu Xuanqing )