https://www.atlasobscura.com/places/jordanden-the-earth-spirit

On the outskirts of Fredericia, Denmark,  a sculpted hand and a pair of bare buttocks rise from a grassy slope. This unusual land art installation, titled Jordånden (“The Earth Spirit”), was created by Danish artist Knud Seerup and unveiled in 1996. Made of concrete and spanning 33 feet (10 meters), it suggests the partial presence of a giant, human-like form lying just beneath the surface.

According to the artist, this buried presence is meant to symbolize a guardian of the Earth, a theme that resonated in the mid-1990s, when environmental awareness was gaining momentum across Europe, both publicly and politically. The idea of nature as something to be protected, not just exploited, was becoming part of mainstream conversation.

Still, the sculpture’s strange composition has sparked more eerie interpretations. With only scattered body parts visible, some have likened it to scenes from 1980s horror films. The figure appears caught between rest and resurrection, though delivered with a humorous touch thanks to the barely concealed hint of a concrete derrière.

https://www.atlasobscura.com/places/jordanden-the-earth-spirit

https://www.atlasobscura.com/places/undercliffe-cemetery

During the Industrial Revolution in the first half of the nineteenth century, the city of Bradford in West Yorkshire underwent a dramatic transformation from a rural market town with a population of about 13,000 people to an industrial powerhouse with a population of over 100000 people. Consequently, the city struggled for decades with burying their dead, especially after a cholera epidemic in 1849.

To alleviate the strains on the local churchyards where people had been traditionally buried, a group of local businessmen formed a company to operate a private cemetery on a hill northeast of central Bradford in the neighborhood of Undercliffe. Opening in 1854, the cemetery would become a truly prestigious place to be buried.

Many notable nineteenth and early twentieth century individuals from Bradford and West Yorkshire are buried in the cemetery, including several of Bradford’s mayors and other notable politicians, merchants, industrialists, sportsmen, artists, and performers.  The cemetery was so popular that burial sites near the promenade were sold for particularly high prices, and wealthy families bought up multiple plots within the cemetery. 

Some of the monuments erected in the cemetery were quite elaborate, and six have been given Grade II listed status, including an Egyptian themed mausoleum featuring two sphinxes at its entrance.  Another notable highlight is a monument referred to as the White Lady, which features a reclining woman cradling a baby that references the dangers of childbirth in the Victorian era. However, not all the monuments are quite so visually outstanding.  One unconsecrated section of the cemetery was used by Quakers for their burials starting in 1855, and their grave markers consist of simple, uniform flat gravestones.

While Undercliffe Cemetery was held in high esteem during the second half of the nineteenth century, burials declined starting in the year 1900, and by the 1960s, the numbers of burials decreased so much that the cemetery began experiencing severe financial difficulties. The company operating the cemetery was liquidated in 1977.  For a brief period of time, the cemetery was owned by a property developer, but after public campaigning, the cemetery was acquired by the local government in 1984.

Today, the cemetery is operated and maintained by the Undercliffe Cemetery Charity. The cemetery not only preserves a significant part of Bradford’s heritage but also serves as a peaceful park for the local residents, providing quiet places with views of the Bradford cityscape below.

https://www.atlasobscura.com/places/undercliffe-cemetery